SCT > Progetti > Caravan Next. Feed the Future

Caravan Next. Feed the Future

When

01/09/2015

 – 

31/03/2019

Where

Europe, United States, Morocco, Uruguay, Taiwan, Australia

Thematic scope

COMMUNITY
Project Manager

Per Bech Jensen

Artistic Coordinator

Alberto Pagliarino

Methodological Supervision

Alessandra Rossi Ghiglione

Project Coordinator

Luciana Bazzo

Communication Manager

Anna Marie Houe

New Technologies Manager

Maurizio Bertolini

Financial Manager

Barbara Manighetti

Monitoring and Evaluation Expert

Irene Ropolo

More than 40 events worldwide to engage local communities on a common theme: European challenges of the Third Millennium.

The project

Caravan Next. Feed the Future is a European Social and Community Theatre and audience development project, which won the Creative Europe Large Scale Call in 2015. The events actively involved local communities on a common theme: European challenges of the Third Millennium. The 42-month project was conceived by the Social Community Theatre Centre | Unito (Project Methodological Supervision) and Odin Teatret (Lead Partner) together with 13 partners from 11 European countries. The project partners worked in synergy both in their own territories and through artistic exchanges with the other countries involved.

Over three and a half years, Caravan Next engaged citizens from 16 European and 5 non-European countries through 40 Social Community Theatre events (5 Macro Events, 25 Micro Events, 5 European conferences and 5 non-European conferences – United States, Morocco, Uruguay, Taiwan and Australia) on the theme “European challenges of the third millennium” and approximately 90,000 participants. Each community we worked with chose its own European challenge, which they felt particularly close to at that historical moment, such as: environmental protection, the reception of other cultures, gender equality, the role of young people in contemporary society and many others.

In this context, 30 long-term events were organized, aimed at engaging and educating the communities of 16 European countries, following the Social Community Theatre model. Five of these were defined as Macro Events, organized by a partner based in the host city, and involved a larger number of people and all the project partners. The other events, called Micro Events, involved one Caravan partner, a local associated partner and, in some cases, other artists and partners as well.

Action

All events saw the participation of the citizens and took place in community spaces. The artistic programs revolved around five keywords: include, connect, educate, create and redesign. Each word corresponded to a specific phase of work:

  • Mapping: The territory was analyzed to identify strengths, weaknesses and opportunities for dialogue between the different social groups present.
  • Networking: Brainstorming sessions were organized on the themes, the proposed European challenge, the available resources in the territory and the strategies to connect them.
  • Capacity building: We worked with selected community groups to develop skills, with the goal of producing events, primarily professional-led artistic workshops, wherein the involved groups had a key role.
  • The event days: They involved the entire community and were characterized by various dramatic languages and performances, such as parades, shows, projections, interactive visual art events, community dances, musical events, readings and debates, etc.
  • Evaluation and planning: After three months of evaluating the experience, during which the impact on the participating groups and the methodological approach of the partners involved were analyzed, participatory redesigning with the community was carried out.

 

CARAVAN NEXT’S EVENTS

  • The theme of the Turin Macro Event was Saving the Beauty. The question chosen for this artistic journey was “what are the beautiful things in your life that you want to save?”
  • In Heraklion, Crete, the European challenge concerned the Common European Roots; a reflection on the past of their civilization, one of the oldest in the world
  • In Seville, the symbol of the Río sin fronteras Macro Event was the Guadalquivir river, which divides the city in two from the Romani camp El Vacie to the Tolerance Monument. The European challenge was “the inclusion of minorities and lower social classes”
  • In Goleniów, Poland, the challenge “identity as a dialogue between differences” was summarized by the event The Human Mosaic, which reinterpreted Pink Floyd’s The Wall, transforming a symbol of division into an expression of unity and hope, with a wall built by the artists and then collectively demolished
  • In Amsterdam, ZID Theater used the novel Love in the Time of Cholera as a source of inspiration to invite the public to explore the theme of “talking about love in a time of crisis and separation”
  • Other European challenges were “decentralization of culture”, “the welcoming city”, “breaking down barriers for a more equitable society”, “personal freedom”, “transforming society into a more connected society”, “greater involvement of the elderly in society”, “intercultural dialogue and exchange”

Partner

The Caravan Next. Feed the Future project was made possible thanks to the collaboration with the following partners:

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